“There was an old Egyptian chap,” he said, “a governor of one of their provinces, thousands of years before the Pharaohs were ever heard of. They dug up his tomb a little while ago. It bore this inscription: ‘In my time no man went hungry.’ I’d rather have that carved upon my gravestone than the boastings of all the robbers and the butchers of history. Think what it must have meant in that land of drought and famine: only a narrow strip of river bank where a grain of corn would grow; and that only when old Nile was kind. If not, your nearest supplies five hundred miles away across the desert, your only means of transport the slow-moving camel. Your convoy must be guarded against attack, provided with provisions and water for a two months’ journey. Yet he never failed his people. Fat year and lean year: ‘In my time no man went hungry.’ And here, to-day, with our steamships and our railways, with the granaries of the world filled to overflowing, one third of our population lives on the border line of want. In India they die by the roadside. What’s the good of it all: your science and your art and your religion! How can you help men’s souls if their bodies are starving? A hungry man’s a hungry beast. “Oh, a little,” she answered. “He’s absolutely sincere; and he means business. He won’t stop at the bottom of the ladder now he’s once got his foot upon it.”!

“I took one or two prizes myself,” said Mrs. Phillips. “But, of course, one forgets things. I was wondering if you would mind if I ran up occasionally to ask you a question. Of course, as you know, my ’usband ’as ’ad so few advantages”—the lady’s mind was concerned with more important matters, and the aspirates, on this occasion, got themselves neglected—“It is wonderful what he ’as done without them. But if, now and then, I could ’elp him—” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.

She offered her cheek, and Joan kissed it, somewhat gingerly. “Ah,” he said, “you would understand if you had. When one of the horses goes down gored, his entrails lying out upon the sand, you know what they do, don’t you? They put a rope round him, and drag him, groaning, into the shambles behind. And once there, kind people like you and Monsieur le Médecin tend him and wash him, and put his entrails back, and sew him up again. He thinks it so kind of them—the first time. But the second! He understands. He will be sent back into the arena to be ripped up again, and again after that. This is the third time I have been wounded, and as soon as you’ve all patched me up and I’ve got my breath again, they’ll send me back into it. Mam’selle will forgive my not feeling grateful to her.” He gave a short laugh that brought the blood into his mouth. “What is he like?” asked Joan.